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Bitcoin Magazine The Pack Is the Painting: Evil Biscuit and the Schizocollage Movement Come to Hong Kong In 1956, at an exhibition hall in Tokyo, a Japanese artist named Saburō…
Bitcoin Magazine Relics of a Revolution, Part IV: The Bank Was Already Burning Revolutions leave behind artifacts. In the summer of 2011, a painter named Alex Schaefer set up an…
Bitcoin Magazine The Whole Entire Universe: 21 Million, One Painting There are 21 million bitcoin. That number is fixed, coded into the protocol, finite. It is one of the most…
Bitcoin Magazine Relics of a Revolution, Part II: False Profits and Freedom Revolutions leave behind artifacts — not always weapons or flags, but the quieter objects that carried a message…
Bitcoin Magazine Growing Creative Literacy in the Age of Bitcoin: A Conversation with Bruce Barone Jr. of BrainSprout At Bitcoin Conference 2026, BrainSprout enters the art gallery as a cultural…
Bitcoin Magazine Sculpting Scarcity: Artist Maxfield Mellenbruch Brings Rare Steak Worth Millions To Bitcoin 2025 Maxfield Mellenbruch — an American sculptor, designer, and the creator of the iconic Kialara series…
Bitcoin Magazine Ghost In The Machine: A Q&A with SatoshiAI Bootoshi is one of the more curious minds pushing the boundaries of art, AI, and bitcoin. Part builder, artist, and…
In anticipation of a solo exhibition by artist Nardo at Bitcoin Mena, in collaboration with AOTM Gallery, I sat down with him to explore the intersections of memes, mythologies, and…
Ripcache, a pseudonymous artist, explores themes of surveillance and privacy through a 1-bit pixelated aesthetic. By examining the impact of modern surveillance in centralized and decentralized systems, Ripcache’s work examines…
This is an opinion editorial by BitcoinActuary, an actuary based in the U.K. I’ve recently returned from spending a long weekend with around 200,000 others at one of the loves…